{"id":44621,"date":"2020-06-02T18:24:27","date_gmt":"2020-06-02T16:24:27","guid":{"rendered":"https:\/\/www.grapheine.com\/portfolio\/ministere-de-la-culture-charte-graphique"},"modified":"2022-05-23T16:53:42","modified_gmt":"2022-05-23T14:53:42","slug":"french-ministry-of-culture-visual-identity","status":"publish","type":"portfolio","link":"https:\/\/www.grapheine.com\/en\/portfolio\/french-ministry-of-culture-visual-identity","title":{"rendered":"French Ministry of Culture – Visual identity"},"content":{"rendered":"
The Ministry's logo designed in 1989<\/strong> by Pippo Lionni already conveyed the idea that culture can't fit into a box. In 1999<\/strong>, the logo of the French Republic was added. In 2003<\/strong>, the studio LM Communiquer proposed a red frame graphic system to better identify the Ministry's communication. In 2019<\/strong>, Graph\u00e9ine's mission was to rethink a more flexible and functional visual system, particularly with regard to new digital uses.<\/p>\n[\/vc_column_text][vc_single_image image=\"44467\" img_size=\"full\" alignment=\"center\"][vc_column_text]The challenge of this project was to be part of continuity<\/strong>, while reinventing contemporary<\/strong> codes<\/strong>. We decided to keep as many of the existing ingredients as possible, despite certain weaknesses, such as the Republic logo, which could only be used on a white background. We couldn't accept this constraint, and by adding a midnight blue tint and taking on the framing in a radical way, we opened up new possibilities.<\/p>\n The Graph\u00e9ine team tells you the behind-the-scenes story of this project.\u00a0Deciphering, analysis and anecdotes in the hollow of your ears... <\/p>\n\n
\nThe podcast of the project<\/h2>\n
\nbut sorry if it's in the language of \"Moli\u00e8re\".<\/p>\n