{"id":47646,"date":"2021-01-13T18:18:21","date_gmt":"2021-01-13T16:18:21","guid":{"rendered":"https:\/\/www.grapheine.com\/portfolio\/identite-visuelle-du-musee-dart-moderne-de-fontevraud-collection-martine-et-leon-cligman"},"modified":"2022-02-04T14:06:32","modified_gmt":"2022-02-04T13:06:32","slug":"visual-identity-of-fontevraud-museum-of-modern-art-cligman-collection","status":"publish","type":"portfolio","link":"https:\/\/www.grapheine.com\/en\/portfolio\/visual-identity-of-fontevraud-museum-of-modern-art-cligman-collection","title":{"rendered":"Visual identity of Fontevraud Museum of Modern Art – Cligman Collection"},"content":{"rendered":"
A unique opportunity for us to question the limits of branding and to conceive a flexible and scalable graphic system capable of reflecting the different facets of Fontevraud while building a relevant and durable visual response.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\"47388\" img_size=\"full\" alignment=\"center\"][vc_row_inner][vc_column_inner width=\"1\/3\"][\/vc_column_inner][vc_column_inner width=\"2\/3\"][vc_column_text]\n
What an exciting opportunity to extend a graphic response that was initiated by the creation of a custom typeface that straddles the sacred and the profane. This typeface is the keystone of the new visual identity of the Fontevraud brand<\/a>.<\/p>\n Graph\u00e9ine's collaboration with Fontevraud was intense and full of new challenges for the agency. We would thus like to express our appreciation for the high standards and confidence of David Martin, Fontevraud's director at the time of the project, as well as to Fr\u00e9d\u00e9ric Dufau who was at the head of Fontevraud's digital division and in-house graphics studio. There couldn\u2019t have been a better project site, nor a more ideal client.<\/p>\n To read more about Fontevraud's visual identity project: - Create Fontevraud\u2019s brand architecture<\/a> and brand guidelines, Fast forward to now: The magazine's formula has evolved. The website has been redesigned to better integrate all facets of the project with the arrival of the museum. The Fontevraud typeface has come of age and is wilting a little on the walls of the abbey, but the visual identity created in 2015 is still in place and continues to be perfectly adapted to the different communication media of the abbey.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_single_image image=\"47402\" img_size=\"full\" alignment=\"center\"][vc_single_image image=\"47568\" img_size=\"full\" alignment=\"center\"][vc_row_inner][vc_column_inner width=\"1\/3\"][\/vc_column_inner][vc_column_inner width=\"2\/3\"][vc_column_text]\n
\nwww.grapheine.com\/portfolio\/fontevraud-lemotion-linattendu<\/a>[\/vc_column_text][vc_gallery interval=\"3\" images=\"22294,22295,22289,22293,22292,22291,22290,22288,22287\" img_size=\"full\"][vc_column_text]Over the course of two years, we have had the chance to:<\/p>\n
\n- Conceptualize and produce Fontevraud the digital tour route<\/a>, a series of screens installed on the estate with motion design videoclips that act as an alternative to the classic audio guide,
\n- Define the art direction and produce the first issue of Fontevraud le magazine, a \"lifestyle\" publishing project around the actors and the programming of the \"ideal city\",
\n- Conceptualize and prototype Fontevraud the gift box<\/a>, a smart box that integrates the brand's olfactory signature into merchandise.<\/p>\nThe Martine and L\u00e9on Cligman Foundation, an exceptional donation of modern works of art<\/h2>\n