A blog
about
branding
& graphic design

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The stones of the French Museum of Natural History design patterns and natural landscapes, fascinating mineral creations of millions of years.
The first writings were drawings, and universal languages have always used images to communicate.
The strategy of "RGB-First": Reflection on the colorimetric chain RGB / CMYK in print and digital communication.
Many brands use colors as symbols to convey their identity. But can we really legally appropriate a color?
Happils New Year 2019! This year, let Graphéine find the identity that suits you the best!

News
of the agency

Our recent projects.

Discover what we had imagined for the visual identity of the City of Paris. The symbol of the Nave was redesigned and inserted directly inside the word Paris.
The Autre Soie, a unique and incredibly exciting third-place project! We tell you about the birth of its participative visual identity.
Here is the poster we made for the Périgueux Gourmet book Fair... As a bonus we present you the other creative concepts we had proposed.

Logo news,
our look
at branding
news.

Nouvelle identité visuelle de la CIA, avec un petit look de festival electro ou de série Netflix !
Helvetica, as an icon, has become a brand: you can now drink, wear or even smell Helvetica.
From Uncle Ben's or Aunt Jemima's brand name history to Mammy's syrup, the racist packaging are sitting on a (pancake) powder keg.
It took 68 million years to resurrect a T-rex, and almost as long to create the Jurassic Park logo. Here is his wicked adventure.
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In their search for a universal language, Leibniz and his disciples may have attempted to create the impossible. And yet...
For 2017, the communication team of the Paris Visitors Bureau placed its trust in illustration again, asking Vincent Mahé, one of the most parisian illustrators, to work with them.
The vinyl sleeves come to life with jazz. It is a whole graphic universe that makes the music heard, through the illustration or the photo.
An activist designer, W. Morris founded interior design and Arts & Crafts, improved the living conditions of workers and revalued craftsmanship.
Nothing predicted the Comic Sans MS to become what it is today: a font hated by graphic designers and yet very popular with the general public. Discover its history... and its some qualities.