L’usage ou l’absence d’ornementations symbolise pour l’homme “moderne” deux visions utopiques et différentes pour changer la société.
Why and how anti-feminicide collages, through their “graphic charter” as simple as it is powerful, have opened a wide breach in the public debate.
An opportunity to try to untangle how the “branding of a social movement” differs from the “classic branding of brands”.
Used mechanically and out of context, certain typographies convey cultural stereotypes. We call them “stereotypographies”.
The Pérouges Spring goes for california vibes! Discover our creation for this year’s poster and program.
As every year, we took out our papers and scissors for an origami workshop!
Design of the visual for the University of Évry open day. Creation of posters, programs, social networks visuals…. Reveal your professional future!
Here is the poster we made for the Périgueux Gourmet book Fair… As a bonus we present you the other creative concepts we had proposed.
An explosive poster for the 2018 edition of the Pérouges Spring Festival: for this 22nd edition, we light fire with dynamite cherries!
Visual identity project for the 2017 Franco-Colombian cultural season.
Bye bye red square from the Cité des sciences, glory to you for having rendered service to science and the graphic nation.
Welcome to serious business…
Here is our latest poster work for Dvořák’s Stabat Mater. Usually we use classic painting pictures, but this time a sculpture caught our attention. This is a study of the “Pieta” by Michelangelo (1499).
Hans Hillman, German graphic designer, illustrator and designer (1925-2014).
He was a pioneer who, as early as the 1950s, re-invented the art of film posters in Germany, designing German versions of posters by Godard, Bunuel, Eisenstein, Kurosawa and Bergman.
The two ironic, subversive posters for the 2014 Chaumont Festival question current affairs with a bazooka… and it’s great !
Here is the participatory communication campaign that we carried out for the Salon des Métiers de l’Humanitaire organized by the Cité de la Solidarité in Annemasse.
When some wanted to make revolution with their voices or their guitars, he armed himself with his pencils and brushes. It was the early’60s, and Kennedy wasn’t an airport yet.
In 1980, Daniel Lelong, director of the gallery of the same name, suggested to the French Tennis Federation that they entrust the design of the poster to a great name in contemporary art. Valeria Adami signed the 1980 poster. Today, David Nash has signed the 34th poster in this collaboration.
Not retained poster project for the “Muséo Games” exhibition. This temporary exhibition organized by the Musée des Arts et Métiers will retrace four decades of video game history, from the very first generations (Pong, PacMan or Space Invaders) to the latest console games.
Y2K trend, the 2000’s style is back
From surnames to acronyms: creating a brand name from letters
The smart set of ambigrams, graphic symmetry and word reflections
Maurits Escher’s impossible reality
The UN logo takes on water during COP28
Ville d’Annecy – Visual identity
So Skilled – Brand identity
Conservatory of Music Annemasse – Visual identity
Sixtine
La Poule Noire Brewery – Brand design
Typorama #05 : Times after time
Visual identity project for Sup de com
Martin Sharp, “sydneydelic”
Humanity as Heritage. Dialogue between Le Corbusier and Anish Kapoor
The genesis of the Rio 2016 Olympic Games logo